{"id":124471,"date":"2019-12-23T02:47:57","date_gmt":"2019-12-23T01:47:57","guid":{"rendered":"https:\/\/theworldwidejournal.com\/2019\/12\/23\/you-leave-changed-critics-pick-the-best-of-australian-theatre-in-2019\/"},"modified":"2019-12-23T02:47:57","modified_gmt":"2019-12-23T01:47:57","slug":"you-leave-changed-critics-pick-the-best-of-australian-theatre-in-2019","status":"publish","type":"post","link":"https:\/\/theworldwidejournal.com\/?p=124471","title":{"rendered":"&#039;You leave changed&#039;: critics pick the best of Australian theatre in 2019"},"content":{"rendered":"<p>From a reimagined Wake in Fright to Hannah Gadsby\u2019s post-retirement juggernaut, some electrifying shows hit Australian stages this yearSydney Theatre Company, at the Drama theatre, Sydney Opera House Continue reading&#8230;<br \/>\nVia: <a href=\"https:\/\/www.theguardian.com\/stage\/2019\/dec\/23\/you-leave-changed-critics-pick-the-best-of-australian-theatre-in-2019\" target=\"_blank\">&#039;You leave changed&#039;: critics pick the best of Australian theatre in 2019<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From a reimagined Wake in Fright to Hannah Gadsby\u2019s post-retirement juggernaut, some electrifying shows hit Australian stages this yearSydney Theatre Company, at the Drama theatre, Sydney Opera House Continue reading&#8230; Via: &#039;You leave changed&#039;: critics pick the best of Australian theatre in 2019<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-124471","post","type-post","status-publish","format-standard","hentry","category-english"],"_links":{"self":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/124471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=124471"}],"version-history":[{"count":0,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/124471\/revisions"}],"wp:attachment":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=124471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=124471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=124471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}