{"id":13659,"date":"2017-11-04T01:19:53","date_gmt":"2017-11-04T00:19:53","guid":{"rendered":"https:\/\/theworldwidejournal.com\/2017\/11\/04\/yayoi-kusama-exhibition-brings-together-65-years-of-artists-bizarre-works\/"},"modified":"2017-11-04T01:19:53","modified_gmt":"2017-11-04T00:19:53","slug":"yayoi-kusama-exhibition-brings-together-65-years-of-artists-bizarre-works","status":"publish","type":"post","link":"https:\/\/theworldwidejournal.com\/?p=13659","title":{"rendered":"Yayoi Kusama: exhibition brings together 65 years of artist&#039;s bizarre works"},"content":{"rendered":"<p>Prolific artist\u2019s odds and ends dive across mediums and forms, but are always united by the pattern, repetitions, mirrors and pumpkinsIn the most colourful room of her Brisbane exhibition, a horned, hard-looking sculpture sits between Yayoi Kusama\u2019s newest paintings like some sprouting alien plant made of clogs. At first it looks like a storage display for shoes, printed all over with the Japanese octagenerian\u2019s trademark polka dots. But with every moment spent looking closer, a weird, unexpected, unpredictably organic new feature pops up. A blossom on top of a blossom that turns rather elegantly into an antenna. Continue reading&#8230;<br \/>\nVia: <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2017\/nov\/04\/yayoi-kusama-exhibition-brings-together-65-years-of-artists-bizarre-works\" target=\"_blank\">Yayoi Kusama: exhibition brings together 65 years of artist&#039;s bizarre works<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prolific artist\u2019s odds and ends dive across mediums and forms, but are always united by the pattern, repetitions, mirrors and pumpkinsIn the most colourful room of her Brisbane exhibition, a horned, hard-looking sculpture sits between Yayoi Kusama\u2019s newest paintings like some sprouting alien plant made of clogs. At first it [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-13659","post","type-post","status-publish","format-standard","hentry","category-english"],"_links":{"self":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/13659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13659"}],"version-history":[{"count":0,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/13659\/revisions"}],"wp:attachment":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}