{"id":158027,"date":"2020-08-26T15:50:51","date_gmt":"2020-08-26T13:50:51","guid":{"rendered":"https:\/\/theworldwidejournal.com\/2020\/08\/26\/i-feel-like-shes-penetrating-my-soul-the-power-of-our-bodies-back\/"},"modified":"2020-08-26T15:50:51","modified_gmt":"2020-08-26T13:50:51","slug":"i-feel-like-shes-penetrating-my-soul-the-power-of-our-bodies-back","status":"publish","type":"post","link":"https:\/\/theworldwidejournal.com\/?p=158027","title":{"rendered":"&#039;I feel like she&#039;s penetrating my soul&#039;: the power of Our Bodies Back"},"content":{"rendered":"<p>Available onlineCommissioned by Sadler\u2019s Wells, Jonzi D\u2019s new black-and white film powerfully weaves poetry and dance in a tribute to black women who have suffered violenceThe best theatre and dance to watch onlineUnder a blanket of white cloud on a Montreal rooftop, dancer Axelle \u201cEbony\u201d Munezero\u2019s hands clasp over her mouth while potent words ring out in the voice of poet jessica Care moore. \u201cI got life. \/ Sandra Bland got the death penalty \/ for a traffic stop. Her body was 28 \/ years young.\u201d Munezero\u2019s body flinches with every beat, each one a violent blow.The black-and-white film, Our Bodies Back, is only five minutes long, but it\u2019s a rich and powerful weaving of poetry and dance. At once a moving tribute to Bland, Breonna Taylor and countless black women who\u2019ve suffered violence, and a clear-eyed, undaunted demand for respect and urgent change. Continue reading&#8230;<br \/>\nVia: <a href=\"https:\/\/www.theguardian.com\/stage\/2020\/aug\/26\/our-bodies-back-black-woman-dance-film-jessica-care-moore-jonzi-d\" target=\"_blank\">&#039;I feel like she&#039;s penetrating my soul&#039;: the power of Our Bodies Back<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Available onlineCommissioned by Sadler\u2019s Wells, Jonzi D\u2019s new black-and white film powerfully weaves poetry and dance in a tribute to black women who have suffered violenceThe best theatre and dance to watch onlineUnder a blanket of white cloud on a Montreal rooftop, dancer Axelle \u201cEbony\u201d Munezero\u2019s hands clasp over her [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-158027","post","type-post","status-publish","format-standard","hentry","category-english"],"_links":{"self":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/158027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=158027"}],"version-history":[{"count":0,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/158027\/revisions"}],"wp:attachment":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=158027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=158027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=158027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}