{"id":2097,"date":"2017-08-12T00:20:15","date_gmt":"2017-08-11T22:20:15","guid":{"rendered":"https:\/\/theworldwidejournal.com\/2017\/08\/12\/natsiaa-2017-the-breadth-and-beauty-of-contemporary-indigenous-art-in-pictures\/"},"modified":"2017-08-12T00:20:15","modified_gmt":"2017-08-11T22:20:15","slug":"natsiaa-2017-the-breadth-and-beauty-of-contemporary-indigenous-art-in-pictures","status":"publish","type":"post","link":"https:\/\/theworldwidejournal.com\/?p=2097","title":{"rendered":"NATSIAA 2017: the breadth and beauty of contemporary Indigenous art \u2013 in pictures"},"content":{"rendered":"<p>In their 34th year, the National Aboriginal and Torres Strait Islander art awards have delivered a broad, diverse and often surprising survey of Indigenous art.This year\u2019s exhibition of 65 finalists is a celebration of innovation, collaboration and the ever-changing relationship between traditional and contemporary Indigenous art, with the main prize, the $50,000 Telstra art award, going to the winner of the inaugural multimedia category: a collaboration between Anangu artists Frank Young, his grandson Anwar Young and his niece Unrupa Rhonda.\u2018This award will open [pathways] up to everyone in the APY region,\u2019 Young said in Darwin on Thursday. \u2018It\u2019s really important for young people &#8230; It\u2019s important for all APY communities to know that this work can be different.\u2019 The NATSIAA 2017 exhibition is being held at the Museum and Art Gallery of the Northern Territory in Darwin until 26 November. Here is a selection of the finalists Continue reading&#8230;<br \/>\nVia: <a href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2017\/aug\/12\/natsiaa-2017-the-breadth-and-beauty-of-contemporary-indigenous-art-in-pictures\" target=\"_blank\">NATSIAA 2017: the breadth and beauty of contemporary Indigenous art \u2013 in pictures<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In their 34th year, the National Aboriginal and Torres Strait Islander art awards have delivered a broad, diverse and often surprising survey of Indigenous art.This year\u2019s exhibition of 65 finalists is a celebration of innovation, collaboration and the ever-changing relationship between traditional and contemporary Indigenous art, with the main prize, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2097","post","type-post","status-publish","format-standard","hentry","category-english"],"_links":{"self":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/2097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2097"}],"version-history":[{"count":0,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/2097\/revisions"}],"wp:attachment":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}