{"id":21253,"date":"2017-12-26T19:24:19","date_gmt":"2017-12-26T18:24:19","guid":{"rendered":"https:\/\/theworldwidejournal.com\/2017\/12\/26\/interiors-2014-2016\/"},"modified":"2017-12-26T19:24:19","modified_gmt":"2017-12-26T18:24:19","slug":"interiors-2014-2016","status":"publish","type":"post","link":"https:\/\/theworldwidejournal.com\/?p=21253","title":{"rendered":"Interiors (2014-2016)"},"content":{"rendered":"<p>L&#8217;artiste anglaise Suzanne Moxhay cr\u00e9e des images avec des documents collect\u00e9s. Elle fragmente son mat\u00e9riau source avec le num\u00e9rique et s&#8217;empare d&#8217;un proc\u00e9d\u00e9 cin\u00e9matographique, le matte painting, consistant \u00e0 peindre un d\u00e9cor sur une surface plane, laissant des espaces vides pour incorporer d&#8217;autres sc\u00e8nes. Dans sa s\u00e9rie Interiors, l&#8217; artiste joue avec les anomalies de la texture, de l&#8217;espace, du mouvement pour impliquer le sentiment du spectateur et le questionner.<br \/>\nVia: <a href=\"http:\/\/www.liberation.fr\/photographie\/2017\/12\/26\/interiors-2014-2016_1618551?xtor=rss-450\" target=\"_blank\">Interiors (2014-2016)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;artiste anglaise Suzanne Moxhay cr\u00e9e des images avec des documents collect\u00e9s. Elle fragmente son mat\u00e9riau source avec le num\u00e9rique et s&#8217;empare d&#8217;un proc\u00e9d\u00e9 cin\u00e9matographique, le matte painting, consistant \u00e0 peindre un d\u00e9cor sur une surface plane, laissant des espaces vides pour incorporer d&#8217;autres sc\u00e8nes. Dans sa s\u00e9rie Interiors, l&#8217; artiste [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-21253","post","type-post","status-publish","format-standard","hentry","category-french"],"_links":{"self":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/21253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21253"}],"version-history":[{"count":0,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/21253\/revisions"}],"wp:attachment":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}