{"id":41856,"date":"2018-05-20T16:00:00","date_gmt":"2018-05-20T14:00:00","guid":{"rendered":"https:\/\/theworldwidejournal.com\/2018\/05\/20\/jane-campion-capitalism-is-such-a-macho-force-i-felt-run-over\/"},"modified":"2018-05-20T16:00:00","modified_gmt":"2018-05-20T14:00:00","slug":"jane-campion-capitalism-is-such-a-macho-force-i-felt-run-over","status":"publish","type":"post","link":"https:\/\/theworldwidejournal.com\/?p=41856","title":{"rendered":"Jane Campion: \u2018Capitalism is such a macho force. I felt run over\u2019"},"content":{"rendered":"<p>One of the world\u2019s most unconventional film-makers, Jane Campion talks about the end of the patriarchy, doing away with decorum, and how losing her baby son changed her foreverTwenty-five years ago this month, Jane Campion became the first, and so far the only, female director to win the Cannes film festival, with her wild gothic tale of repression and obsession, The Piano. When Campion broke through and was recognised as an auteur by her male peers \u2013 with the Palme d\u2019Or and three Oscars in her handbag \u2013 feminists assumed that more women artists would follow in her wake. They were wrong.There was no great bursting of the financial and cultural dam that held back women film-makers. Instead their work filtered through in drips, excluded from directing blockbusters, and excluded from competition at Cannes and other festivals. \u201cI think we got caught in a complicated supplicancy, a very sophisticated supplicancy,\u201d says Campion. Continue reading&#8230;<br \/>\nVia: <a href=\"https:\/\/www.theguardian.com\/film\/2018\/may\/20\/jane-campion-unconventional-film-maker-macho-force\" target=\"_blank\">Jane Campion: \u2018Capitalism is such a macho force. I felt run over\u2019<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the world\u2019s most unconventional film-makers, Jane Campion talks about the end of the patriarchy, doing away with decorum, and how losing her baby son changed her foreverTwenty-five years ago this month, Jane Campion became the first, and so far the only, female director to win the Cannes film [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-41856","post","type-post","status-publish","format-standard","hentry","category-english"],"_links":{"self":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/41856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=41856"}],"version-history":[{"count":0,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/41856\/revisions"}],"wp:attachment":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=41856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=41856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=41856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}