{"id":65654,"date":"2018-11-03T15:59:34","date_gmt":"2018-11-03T14:59:34","guid":{"rendered":"https:\/\/theworldwidejournal.com\/2018\/11\/03\/photo-le-festival-planches-contact\/"},"modified":"2018-11-03T15:59:34","modified_gmt":"2018-11-03T14:59:34","slug":"photo-le-festival-planches-contact","status":"publish","type":"post","link":"https:\/\/theworldwidejournal.com\/?p=65654","title":{"rendered":"Photo : le festival Planche(s) Contact"},"content":{"rendered":"<p>Pour la neuvi\u00e8me \u00e9dition du festival Planche(s) contact de Deauville, la part belle est encore donn\u00e9e \u00e0 la cr\u00e9ation photographique avec 12 photographes invit\u00e9s \u00e0 travailler sur la ville, sur 13 expositions. La photographe Isabelle Chapuis a pris le sable et le corps comme objets photographiques. S\u2019\u00e9loignant de la captation du r\u00e9el, elle nous offre des images entre mode et imaginaire po\u00e9tique. A voir du 20 octobre au 25 novembre.<br \/>\nVia: <a href=\"https:\/\/next.liberation.fr\/arts\/2018\/11\/03\/photo-le-festival-planches-contact_1689703?xtor=rss-450\" target=\"_blank\">Photo : le festival Planche(s) Contact<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pour la neuvi\u00e8me \u00e9dition du festival Planche(s) contact de Deauville, la part belle est encore donn\u00e9e \u00e0 la cr\u00e9ation photographique avec 12 photographes invit\u00e9s \u00e0 travailler sur la ville, sur 13 expositions. La photographe Isabelle Chapuis a pris le sable et le corps comme objets photographiques. S\u2019\u00e9loignant de la captation [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-65654","post","type-post","status-publish","format-standard","hentry","category-french"],"_links":{"self":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/65654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=65654"}],"version-history":[{"count":0,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/65654\/revisions"}],"wp:attachment":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=65654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=65654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=65654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}