{"id":99662,"date":"2019-06-30T00:03:54","date_gmt":"2019-06-29T22:03:54","guid":{"rendered":"https:\/\/theworldwidejournal.com\/2019\/06\/30\/almodovar-se-pasa-a-la-pintura-sin-piedad\/"},"modified":"2019-06-30T00:03:54","modified_gmt":"2019-06-29T22:03:54","slug":"almodovar-se-pasa-a-la-pintura-sin-piedad","status":"publish","type":"post","link":"https:\/\/theworldwidejournal.com\/?p=99662","title":{"rendered":"Almod\u00f3var se pasa a la pintura \u201csin piedad\u201d"},"content":{"rendered":"<p>El dibujo que un alba\u00f1il esboza sobre el trozo de un saco de cemento ilustra uno de los momentos m\u00e1s emocionantes de Dolor y gloria, \u00faltima pel\u00edcula de Pedro Almod\u00f3var. Obra del artista madrile\u00f1o Jorge Galindo, representa un humilde tallo rematado por unos cuantos p\u00e9talos. Es tambi\u00e9n la simiente que dio fuerza al director para atreverse a pintar por primera vez, a sus 69 a\u00f1os, y, de la mano de Galindo, de 54, transformar las fotograf\u00edas de flores y bodegones, faceta art\u00edstica que ha entretenido al cineasta en los \u00faltimos a\u00f1os, en \u00f3leos del tama\u00f1o de una pantalla de cine, de tres por cuatro metros.Seguir leyendo.<br \/>\nVia: <a href=\"https:\/\/elpais.com\/cultura\/2019\/06\/29\/actualidad\/1561833368_220151.html#?ref=rss&#038;format=simple&#038;link=link\" target=\"_blank\">Almod\u00f3var se pasa a la pintura \u201csin piedad\u201d<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El dibujo que un alba\u00f1il esboza sobre el trozo de un saco de cemento ilustra uno de los momentos m\u00e1s emocionantes de Dolor y gloria, \u00faltima pel\u00edcula de Pedro Almod\u00f3var. Obra del artista madrile\u00f1o Jorge Galindo, representa un humilde tallo rematado por unos cuantos p\u00e9talos. Es tambi\u00e9n la simiente que [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-99662","post","type-post","status-publish","format-standard","hentry","category-spanish"],"_links":{"self":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/99662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=99662"}],"version-history":[{"count":0,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=\/wp\/v2\/posts\/99662\/revisions"}],"wp:attachment":[{"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=99662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=99662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theworldwidejournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=99662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}