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Weyes Blood: Titanic Rising review – beauty deep enough to drown in
(Sub Pop)Cinematic dreams and ecological fears unfurl gracefully on Natalie Mering’s gorgeously smart fourth albumIt is, frankly, a miracle that Natalie Mering is not making polite, middle-of-the-road lady-muzak. Languid and disarming, her voice has a potent, old-school beauty that doesn’t have to work at all hard to impress.As Weyes Blood, Read more…